Reviews/excerpts of the book have appeared in various newspapers, magazines, websites:
The Hindu, The Tribune, The New Indian Express, The Statesman, The Pioneer, Sahara Time, The Free Press Journal, Navshakti, The Week, Indian Literature(Sahitya Akademi’s journal),The Book Review,NDTV.com, Sulekha.com,Brown paper
A few reviews are reproduced below:
Murali has woven a veiled commentary on the present seething turmoil.
The writer carefully maneuvers the readers into thinking that though the dream of Rajat is righteous, the method and mode that legitimised violence to achieve it is wrong and also that it is important for the politicians and other government officials sitting on high chairs to know that the callousness on their part to eliminate the suffering of the poor may have disastrous consequences. Murali’s lucid prose, efficacious trenchant realism, an insightful mode of characterisation, psychological overtones has enabled him to unravel a theme of timeless human significance—relationship of the individual and the society, raising the book to the stature of a sociological document
The Tribune, April 2008
Intense and intricate, it is hard to believe that this is C V Murali's debut novel.
Unlike a few writers who just claim to guide the genre of contemporary English literature to glory, C V Murali effectively does the job. His book is not descriptive but paints a clear picture of the lead character's personality.
By analyzing Rajat's actions and thought process the reader can easily interpret his temperament. He has introduced section-titles in the book which embellish it's beauty all the more and link the mood therein. The very first section-title is 'The End' and the story is narrated in a flashback. 'The Requime' and 'The End' are the only two chapters that narrate what happened to Rajat after he quit the revolt; the only two chapters which talk about his present. Intelligently, the two chapters have been placed at the two extreme pole of the book.
But what does the book do to you? It will very effectively prevent you - the reader - young or old, from going astray.
The Free Press Journal, March 2008
There is a freshness about this slim,nostalgic first novel which should sustain the interest of the reader to the end.The author has a facility for quick sketches.He can bring a character to life in a few sentences.As a first novel,Dreams Die Young shows promise,and this will,no doubt,be realised in futureworks as the author matures in craftmanship
Indian Literature(Sahitya Akademi’s Bi-monthly journal),January-February 2008
C.V. Murali has gone into the subject with a quiverful of questions. What are the causes that transform mildmannered, well-to-do and gifted youth into pitiless gun-toting terrorists?
Dreams Die Young seeks answers. Murali prefers a crisp, matter-of-fact-style…
The twist in the climax is well-produced. As also the last turn of the screw when Rajat learns of Romen’s betrayal of his trust…The Hindu, January 2008
Dreams Die Young delves into the psyche of young people, trying to shed light on what makes an ordinary young student turn into a Naxalite.
The New Indian Express, January 2008
The storyline of the novel is finely detailed, as the author subtly depicts the betrayal and sacrifices made by the cadres of the Naxalite movement. Written in a lucid prose
Sahara Time, October 2007
In Dreams Die Young are seeds of a good novel writer.It is also creditable for the subject he has chosen and to write on such a topic is appreciable/commendable.
There are lots of pearls one could gather-the style, gripping narrative and the classy opening. The hallmark of the book is its excellent narrative.
The Week, August 2007
After a long long time one book which I could finish reading at a single stretch. The characters flow smoothly scene after scene and at the end of each chapter you are left with a question mark and an inquisitiveness to know what's going to happen next. All credits to the author for having chosen a sensitive subject for his debut novel and dealt with such aplomb. It’s an apt book for the present day hasty reader and a fabulous read.
Geeta Canpadee,Book critic,Blog on sulekha.com
There’s a certain cinematic quality to this briskly-paced novella that cries for translation to the latter medium. The directness and simplicity of the narrative would make an adaptation a cinch. Won’t someone please buy the film rights to the book and champion this dream.
Niranjana Iyer,Book critic based in Canada,Blog on Brown papers